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  • A young person wearing a green outfit sits in an area with lots of foliage, holding a gun.
  • Three women wearing scarves over their heads, holding machine guns.
PREVIOUSLY PLAYED

THE HOUR OF LIBERATION HAS ARRIVED

6:50

Monday, June 3

U.S. PREMIERE

(1974, Heiny Srour) In the late ‘60s, Dhofar rose up against the British-backed Sultanate of Oman, in a democratic, feminist guerrilla movement. Heiny Srour and her team crossed 500 miles of desert and mountains by foot, under bombardment by the British Royal Air Force, to reach the conflict zone and capture this rare record of a now mostly-forgotten war. The People’s Liberation Army— barefoot, without rank or salary— freed a third of the territory, while undertaking a vast program of social reforms and infrastructure projects— schools, farms, hospitals, and roads were built, while illiterate teenage shepherdesses became more forceful feminists than Simone de Beauvoir or Germaine Greer, and 8-year-old school children learned to practice democracy with more maturity than so many adults. A still-topical portrait of a liberated society and an exploration of the role of oil in U.S. and British involvement in the Middle East, The Hour of Liberation Has Arrived was the first film by an Arab woman to screen at Cannes, where it was nominated for four awards. Beirut-born Srour was a student of both Marxist sociologist Maxime Rodinson and Jean Rouch. This is its U.S. premiere in a new restoration, with English subtitles created especially for the screening. DCP. Approx. 62 min.