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Slideshow

Q&A with SOUNDTRACK TO A COUP D’ETAT Filmmaker Johan Grimonprez, Co-Presented by Third World Newsreel

Friday, November 1
6:45

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Moderated by filmmaker Yoruba Richen

NOTE: This screening is SOLD OUT.
A standby line will form at the box office 30 minutes prior to showtime.

Since 1968, Third World Newsreel (twn) has advanced movement storytelling and media arts for cultural and social justice. We champion the self-representation of historically marginalized communities—including Black, Indigenous, Latine, Asian, Pacific Islander, African, Middle Eastern, Mixed/Multiracial, People with Disabilities, and LGBTQIA+ individuals—through diverse genres and forms of media, such as documentary, experimental, and fiction. Our comprehensive support includes hands-on training, fiscal sponsorship, educational distribution, and preservation, all designed to advance cultural justice and societal change.

Johan Grimonprez’s critically acclaimed work dances on the borders of theory and practice, between art and cinema, going beyond the dualisms of documentary and fiction, other and self, mind and brain to weave new pathways in how we perceive our realities. Informed by an archeology of present-day media, his work depicts intimate stories that brush up against the bigger picture of globalization. It questions our collective imagination, one framed by a fear industry that has infected political and social dialogue. By suggesting new narratives through which to tell a story, his work emphasizes a multiplicity of realities. Our histories and memories are not only a means to reimagine our contested past, but also tools to negotiate our shared presents. In Wonderland, the Queen rephrases it to Alice: “It’s a poor sort of memory that only works backwards.” Grimonprez’s feature films include DIAL H-I-S-T-O-R-Y (1997, in collaboration with novelist Don DeLillo, selected by the Guardian as one of the “30 great works in the history of video art”), DOUBLE TAKE (2009, in collaboration with writer Tom McCarthy — another Film Forum premiere) and SHADOW WORLD (2016, in combination with investigative journalist Andrew Feinstein) premiered at the Tribeca Festival and went on to win the Best Documentary Feature Award at the 2016 Edinburgh International Film Festival. Traveling the festival circuit from the Berlinale, Sundance to Tribeca, Grimonprez’s films have garnered several Best Director awards, the 2005 ZKM International Media Award, an Independent Spirit Award, and the 2009 Black Pearl Award at the Abu Dhabi Film Festival. They have been acquired by PBS, NBC Universal, ARTE, and BBC/FILM 4. Grimonprez’s curatorial projects have been exhibited at museums worldwide, including the Hammer Museum, Los Angeles; the Pinakothek der Moderne, Munich; and MoMA. His works are in the collections of Centre Georges Pompidou, Paris; the 21st Century Museum of Contemporary Art, Kanazawa; and Tate Modern, London. Grimonprez is represented by the Sean Kelly Gallery (New York) and The Kamel Mennour Galerie (Paris) and he’s published by Hatje Cantz, Stuttgart. See johangrimonprez.be for more info.

Yoruba Richen is a Peabody award-winning documentary filmmaker who was awarded the Trailblazer award by Black Public Media. Her work has been featured on multiple outlets, including Netflix, MSNBC, Peacock and FX/Hulu. Her film, THE REBELLIOUS LIFE OF MRS. ROSA PARKS won a Gracie Award and was honored by the Television Academy. Other recent work include the Emmy-nominated films AMERICAN RECKONING, HOW IT FEELS TO BE FREE, THE SIT IN: HARRY BELAFONTE HOSTS THE TONIGHT SHOW, and GREEN BOOK: GUIDE TO FREEDOM. Her film, THE KILLING OF BREONNA TAYLOR, won an NAACP Image Award. Her films THE NEW BLACK and PROMISED LAND won multiple festival awards before airing on PBS's Independent Lens and P.O.V. Yoruba’s other work include directing an episode of the award-winning series Black and Missing for HBO and High on the Hog for Netflix. Yoruba is a recipient of the Chicken & Egg Breakthrough Filmmaker’s Award and is the Founding Director of the Documentary Program at the Craig Newmark Graduate School of Journalism at CUNY.


Supported by a Humanities New York Action Grant

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