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  • Two women sit in a locker room; one smokes a cigarette.
  • A woman and a man sit next to each other on a red couch, not looking at each other, with two drinks in front of them.
  • A woman sits forlornly in a room with a large pool table.

Aki Kaurismäki’s

3:35   9:10

Wednesday, May 1

(1990) “A masterwork” (Los Angeles Times). In this icily funny revenge tale, Kati Outinen is memorably opaque as Iris, whose grinding days as a drone at a matchstick factory, and nights as a neglected single daughter living with her parents, ultimately send her over the edge. Kaurismäki: “I decided to make a film that would make Robert Bresson seem like a director of epic action pictures.” 35mm print courtesy Finnish Film Foundation. Approx. 74 min.

Part of Aki Kaurismäki’s Proletariat Trilogy.


“Magnificent. Taut brilliance. This virtuosic work is heartbreaking until it turns outrageously funny.”
– Caryn James, The New York Times

“Few films are ever this unremittingly unyielding. I found myself as tightly gripped as with a good thriller.”
– Roger Ebert

“It has the sure touch, inexorable flow and after-effect of a masterpiece. A weirdo masterpiece, to be sure: funky and minimalist, caustic and heartfelt, puckishly wry and despairingly dark. (It) is shot so simply and starkly, with such apparent affectlessness that it becomes hypnotic. Kaurismäki has been the darling of urban American and international film critics for several years… The Match Factory Girl is clearly the masterwork of his 10-year career. It catches our eyes, burns its images into our mind.”
– Michael Wilmington, Los Angeles Times


Aki Kaurismäki’s<br>SHADOWS IN PARADISE

Aki Kaurismäki’s

Wednesday, May 1
12:30   6:00

Aki Kaurismäki’s<br>ARIEL

Aki Kaurismäki’s

Wednesday, May 1
2:05   7:35

Film Forum