Slideshow
BLOOD SIMPLE
U.S., 1984
Directed by Joel Coen
Written by Joel and Ethan Coen
With John Getz, Frances McDormand, Dan Hedaya, M. Emmet Walsh.
Approx. 96 mins. DCP.
John Getz and Frances McDormand are having a hot and heavy affair, but they’re suspected by her husband and his boss Dan Hedaya, who then hires cowboy-outfitted private dick M. Emmet Walsh to tail them. Then the double crosses, silent phone calls, clumsily lost evidence, and a pistol-packing presumed corpse ensue; with everybody suspecting everybody else of the wrong crimes, and only the audience knowing who’s done what to whom — or does it? Debut for Oscar-winner-to-be (and Joel’s wife) McDormand and Coen house composer Carter Burwell.
Reviews
“Tightly composed and beautifully shot. Exhibits a passion for the medium and history of film itself. Displays many [Coen brothers] hallmarks: unexpected violence, old-coot cowboys, funny dialogue, striking imagery, fat men in suits screaming, double-crosses, and Frances McDormand. The film’s taut climax, an outburst of gore and revelation, is as suspenseful as anything the Coens have produced since.”
– Chris Packham, The Village Voice
“EXTRAORDINARY. A down-and-dirty Texas noir. Rarely do filmmakers spring so fully formed out of the gate.”
– Joshua Rothkopf, Time Out
“A remarkable accomplishment.”
– Vanity Fair
“Visually sophisticated.”
– Pauline Kael
“A tricky, amusingly self-conscious, scream-at-the-screen thriller, the beginning of the brothers’ inexhaustible exploration of blind self-interest and its catastrophic consequences.”
– David Edelstein, New York Magazine
“Violent, unrelenting, absurd, and fiendishly clever.”
– Roger Ebert
“Arguably the first American independent film that wanted to do nothing more — or less — than enthrall its audience with the sleight-of-hand rogue cunning of a Hollywood thriller... The Coen brothers made the impulse toward sheer entertainment seem, for an ‘art’ film, a revolutionary act... Quentin Tarantino, you’d better believe, took a good, hard look at BLOOD SIMPLE; so did David Lynch and Steven Soderbergh.”
– Owen Gleiberman
“A directorial debut of extraordinary promise... the camera work by Barry Sonnenfeld is especially dazzling. So is the fact that Mr. Coen, unlike many people who have directed great-looking Film Noir efforts, knows better than to let handsomeness become the film’s entire raison d’être... Has the kind of purposefulness and coherence that show Mr. Coen to be headed for bigger, even better, things.”
– Janet Maslin, The New York Times