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Slideshow

  • THREE DAYS OF THE CONDOR
  • EYES OF LAURA MARS
PREVIOUSLY PLAYED

THREE DAYS OF THE CONDOR & EYES OF LAURA MARS

Thursday, July 20

THREE DAYS OF THE CONDOR
2:35   7:55

EYES OF LAURA MARS
12:30   5:50   10:10

DOUBLE FEATURE: Two films for one admission. Tickets purchased entitle patrons to stay and see the following film at no additional charge.

THREE DAYS OF THE CONDOR

Directed by Sydney Pollack
Starring Robert Redford, Faye Dunaway and Max von Sydow 

(1975) Bringing back lunch to a NY CIA office, analyst Robert Redford finds everybody dead — and from then on he’s on the run, with big trust issues, among them Faye Dunaway’s hideout holder, Max von Sydow’s assassin and Cliff Robertson’s Agency exec. DCP. Approx. 117 min.
2:35, 7:55

“The action rarely falters, and at its best the film offers an intriguing slice of neo-Hitchcock.”
– Time Out

Three Days of the Condor creates without effort or editorializing that sense of isolation—that far remove from reality—within which super-government agencies can operate with such heedless immunity.”
– Vincent Canby, The New York Times

“All too believable.”
– Roger Ebert

EYES OF LAURA MARS

Directed by Irvin Kershner
Starring Faye Dunaway and Tommy Lee Jones

(1978) Fashion photog Faye Dunaway has hit it big with Helmut Newtonish stagings with stylized violence; only trouble is, she’s now getting killer’s eye visions of real life murders, and cop Tommy Lee Jones is showing her unsolved murder scenes that match her fashion shoots. And then she sees... 35mm. Approx. 104 min.
12:30, 5:50, 10:10

“It’s the cleverness of Eyes of Laura Mars that counts, cleverness that manifests itself in superlative casting, drily controlled direction from Irvin Kershner, and spectacular settings that turn New York into the kind of eerie, lavish dreamland that could exist only in the idle noodlings of the very, very hip.”
– Janet Maslin

“This New York-set thriller operates on mood and atmosphere and moves so fast, with such delicate changes of rhythm, that its excitement has a subterranean sexiness.”
– Pauline Kael

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