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TOUCHEZ PAS AU GRISBI

Sunday, March 5
1:20   5:30

Wednesday, March 8
4:20

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France, 1954
Directed by Jacques Becker
Starring Jean Gabin, Jeanne Moreau, Lino Ventura
French with English subtitles
Approx. 83 min. 35mm.


Over-the-hill gangster Gabin has just pulled the heist of a lifetime; enough grisbi (loot) for a cushy retirement. But when moll Jeanne Moreau spills the beans to bad guy Lino Ventura (in his debut), it’s time for a showdown.
 

Reviews

“Remains one of the best French policiers—perhaps the best.”
– Jean Tulard, Guide des films

“A poignant look at friendship, honor and betrayal among thieves.”
Time Out

“The beauty of the characters in GRISBI comes from their quietness, from the economy of their movements... Its well-earned success focused on Max the Liar (Jean Gabin) growing old, his weariness, his first pair of reading glasses, the little habits, the good restaurants, the pleasant absorption of a tired-out hooligan who dreams about retiring into middle-class respectability.”
– François Truffaut

“A model french gangster picture. Set the rules for the great sequence of underworld movies from Jean-Pierre Melville that followed.”
Time Out

“GRISBI contains plenty of the requisite genre elements—double-crossings, violence, kidnappings, gun battles, and the like—but it’s also a pensive meditation on age, friendship, and lost opportunities. The film was hugely influential, setting the tone of French policiers for years to come.”
– Philip Kemp, Criterion

“A post-heist film that’s also a story of friendship—and of aging. One of the great movies about male friendship; its central sequence is a domestic one that presents the earnest rituals of friendship—involving pâté and biscuits, pajamas and toothbrushes —as a setting for life-changing, identity-shattering confidences. Its final scene offers one of the greatest, most bitterly poignant touches of face-saving deception in the history of cinema.”
– Richard Brody, The New Yorker

“An ambling gangster picture polished to a high gloss.”
– David Mermelstein, The Wall Street Journal

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