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Q&A with NAM JUNE PAIK: MOON IS THE OLDEST TV Filmmaker Amanda Kim & Producer Jennifer Blei Stockman

Thursday, March 30

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Amanda Kim is a Tokyo-raised, Korean American director and producer. After graduating from Brown University with a degree in Comparative Literature, she worked many odd jobs in music, fashion, and design, before landing a job at Vice Media. A former creative director at Vice Media, she led U.S. video direction for i-D, Creators, and Garage magazine. Kim also worked on Viceland, Vice's TV channel, as a creative producer in an experimental incubator where she directed a nimble production crew to test out pilots and innovative content formats.

Jennifer Blei Stockman produces documentary films on artists and the art world. Her 2018 Emmy nominated film THE PRICE OF EVERYTHING had its world premiere at the Sundance Festival and is shown on HBO and Apple. In 2017 she produced LOVE, CECIL, a film about legendary photographer, illustrator and writer Cecil Beaton, which premiered at the Telluride Film Festival. She helped produce HILMA, a narrative about Hilma af Klint, with Director Lasse Hallstrom, which was released in Europe in September 2022. Stockman is President Emeritus of the Guggenheim and served as President for 15 years. The Guggenheim has museums in New York, Bilbao, Venice, and soon-to-be Abu Dhabi. She is a Founder of DMINTI, which brings digital and web3 fluency to the more ‘traditional’ art world. DMinti’s metaverse actively hosts lectures, tours, weekly programs; plus exhibits work from Museums, Estates, crypto and legacy artists — helping to bridge and build communities. Stockman is a partner of GMSG (Global Museum Strategy Group) and currently has high level projects in the Middle East advising on the development of multiple art museums. Stockman previously worked as an executive for decades in business (IBM, Sears World Trade and running her own firm SAI) and was actively involved for years as an activist for womens rights. She has been an avid collector of contemporary art (including NFTs) since the 90s.

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