Satyajit Ray’s
DAYS AND NIGHTS IN THE FOREST
Friday, February 27 – Thursday, March 12
NEW 4K RESTORATION
1970, India
Directed by Satyajit Ray
Starring Soumitra Chatterjee, Subhendu Chatterjee, Samit Bhanja, Rabi Ghosh
Approx. 116 min.
“Four young men leave Calcutta for a few days in the country, trailing their westernised careerist attitudes, a middle-class indifference to the lower orders, a self-satisfaction that leaves them closed to experience. Out of a series of delightfully funny mishaps as the visitors eagerly try to pursue acquaintance with their two promisingly attractive neighbours, Ray gradually distils a magical world of absolute stasis: a shimmering summer’s day, a tranquil forest clearing, the two women strolling in a shady avenue, wistful yearnings as love and the need for love echo plangently. Elsewhere jobs have to be won or lost, problems faced and solved, but not here; an illusion of course, revealed as time lifts its suspension but leaves one of the quartet a changed man, the other three assailed by tiny waves of self-doubt. Beautifully shot and acted, it’s probably Ray’s masterpiece.” – Time Out
Restored in 4K in 2025 by The Film Foundation’s World Cinema Project and Film Heritage Foundation in collaboration with Janus Films – The Criterion Collection at L’Immagine Ritrovata laboratory, from the original camera and sound negatives provided by Purnima Dutta and the magnetic track preserved by BFI National Archive. Funding provided by Golden Globe Foundation. Special thanks to Wes Anderson and Sandip Ray.
Presented with support from The Ada Katz Fund for Literature in Film
A JANUS FILMS RELEASE
Trailer
Reviews
“From the master, another masterpiece.”
– Wes Anderson
“One of my favorite movies of all time.”
– Mira Nair
“A blend of the fully accessible and the inexplicable, the redolent, and the mysterious.”
– Pauline Kael, The New Yorker
“Behold the master at work… Satyajit Ray conjures truth and insight through the most ordinary of interactions…A masterpiece.”
– Ben Sachs, Chicago Reader
“RAY’S LANGUAGE OF CINEMA IS A KIND OF MIRACULOUS VERNACULAR, ALL HIS OWN.”
– The Guardian
