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  • Close-up from below on the face of a woman with long blonde hair.
    THE BLOOD ON SATAN’S CLAW
  • A woman with long blonde hair and a frightened-looking woman with brown hair in the foreground; a group of people stand in the background.
    THE BLOOD ON SATAN’S CLAW
  • A woman with long blonde hair holds a claw up to her face.
    THE BLOOD ON SATAN’S CLAW
  • Actor George C. Scott holds his hands to his head, looking horrified.
    THE CHANGELING
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THE CHANGELING & THE BLOOD ON SATAN’S CLAW

Tuesday, September 3

DOUBLE FEATURE: Two films for one admission. Tickets purchased entitle patrons to stay and see the following film at no additional charge.

THE CHANGELING

7:55  Buy Tickets

(1980, Peter Medak) In family mourning, composer George C. Scott rents a long-vacant Victorian mansion. But why is there a banging noise every morning? Why do the taps go on and off? What’s that apparition? And what’s that child’s wheelchair doing in that secret attic room? 35mm. Approx. 107 min.

“A superior haunted house thriller.”
Variety

THE BLOOD ON SATAN’S CLAW

10:00  Buy Tickets

(1971, Piers Haggard) In 17th century England, a farmer unearths a strange, deformed skull, but it’s not there when he returns with super rationalistic judge Patrick Wymark. Meanwhile, Linda Hayden is putting moves on the clergy, and the children are on a limb-losing Satanic spree. 35mm. Approx. 97 min.

“Genuinely shocking. It’s visually beautiful, too, with an unusual but effective use of in-camera framing.”
Time Out (London)