THE STRANGER

(1946, Orson Welles) I Married a Nazi War Criminal, as War Crimes Commissioner Edward G. Robinson tracks the supposed mastermind of the Final Solution to a quiet Connecticut village, the home of boys’ school prof Welles and all-American bride Loretta Young, as well as of a looming 124-foot clock tower, scene of a hair-raising climax. Welles’ only “very profitable” picture. Approx. 95 min. 35mm.
SUN 1:00, 4:25, 7:50
MON 12:30, 3:55*, 7:20*
*NOTE CHANGE IN SHOWTIMES

“A hugely enjoyable thriller… It is studded with great scenes and terrific camerawork throughout.” 
– Tom Milne, Time Out (London)

“A cunning conspiracy to scare the daylights out of you. Adroitly directed, it is a grade A gooseflesh-raiser.” 
– TIME magazine

"The Stranger is socko melodrama, spinning an intriguing web of thrills and chills.” 
– Variety

JOURNEY INTO FEAR

(1943, Norman Foster) Joseph Cotten’s armaments expert is saved from murder by his disappearance during a magic act, trapped on a blacked-out ship with his nemesis, then held at gunpoint on a window ledge in a driving rain. Vintage Eric Ambler intrigue, supervised and partly directed by Welles, who co-stars in heavy make-up as Turkish secret police chief Colonel Haki. Approx. 68 min. 35mm.
SUN 2:55, 6:20, 9:45
MON 2:25, 5:50*, 9:15*
*NOTE CHANGE IN SHOWTIMES